Brent Black reviews Fowser/Gillece “DuoTone”…
www.criticaljazz.com In 1958 Stan Getz and Cal Tjader released their Sextet recording originally on the Fantasy label. Leaning towards the West Coast Cool sound with a more bossa influenced swing, Getz and...
Bruce Lindsay gives a review of Steve Horowitz “New Monsters”…
www.allaboutjazz.com Old monsters? They were frightening, gargantuan, mythical beasts: fire-breathing, blood-lusting and not at all willing to put together anything close to a danceable riff.New Monsters, at least as envisioned...
Sax Shed reviews Doug Webb “Swing Shift”…
saxshed.com Tenor Saxophonist Doug Webb recently released Swing Shift on Posi-Tone Records. The recording features Webb on tenor, Stanley Clarke on bass, Gerry Gibbs on drums and three different pianists, Larry Goldings,...
Another great review for Ehud Asherie “Upper West Side”…
www.criticaljazz.com The upper west side may well be the epi-center for jazz in the western world. Posi-Tone along with pianist Ehud Asherie and tenor saxophone legend Harry Allen have captured...
SomethingElse! reviews Jared Gold “Golden Child”…
somethingelsereviews.com Coming off the magnificent All Wrapped Up, Jared Gold is back just under a year later with Golden Child. A program that alternates standards with his originals, Golden Child is another parade of Gold’s...
JazzWrap reviews Doug Webb “Swing Shift”…
jazzwrap.blogspot.com The most important things about any group that has been/recorded together for long period of time is consistency and chemistry. In the case of Doug Webb, this consistency and chemistry...
Raul DaGama Rose reviews Steve Horowitz “New Monsters”…
www.allaboutjazz.com Despite the suggestion of the title, New Monsters is not actually crawling with legions of denizens from the netherworld. The promise of monsters has more to do with the unleashing of...
The Jazz Word on Jared Gold “Golden Child”…
thejazzword.blogspot.com A greased-up organ trio version of Sam Cooke's civil rights cry "A Change is Gonna Come" may seem a little far-fetched. In the hands of Jared Gold, however, the...
Glenn Astarita reviews Steve Horowitz “New Monsters”…
ejazznews.com San Francisco Bay Area bassist Steve Horowitz of The Code International amid copious projects with largely cutting-edge instrumentalists leads a manifold progressive-jazz effort, augmented by the artists’ ‘monstrous’ chops....
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