An interesting analysis of Ralph Bowen “Dedicated”…
www.criticaljazz.com I enjoy examining the output and development of a label as much as an artist so on occasion I will go "Back To The Future" as I have done with this...
A nice write-up for Ehud Asherie “Modern Life”…
www.criticaljazz.com Ehud Asherie is one of a handful of brilliant young artists on the vibrant New York scene that simply does not get the recognition he deserves. Asherie has paired...
Critical Jazz reviews Jared Gold “All Wrapped Up”…
www.criticaljazz.com Change is never bad, just different. The forth Posi-Tone release for Gold finds two stellar horn players to replace the use of guitar on the previous three outings and...
A new review for Sean Nowell “Firewerks”…
www.criticaljazz.com If you follow the basic premise that ECM records invented the piano trio then Posi-Tone is not terribly far behind when it comes to churning out releases from some...
Brent Black reviews Sarah Manning “Dandelion Clock”…
www.criticaljazz.com Far more than a pretty face finds alto saxophonist Sarah Manning walking the musical tightrope between the more free form and the more accessible with the result a perfect...
Orrin Evans “Flip the Script” gets a mention on the i dig jazz blog…
idigjazz.blogspot.com Jazz piano player Orrin Evans has never received the press his peers Jason Moran and Cyrus Chestnut have. Evans, a swing savvy musician, deserves the same attention. To support...
i dig jazz reviews Brandon Wright “Journeyman”…
idigjazz.blogspot.com I promised Jordy Freed of DL Media I’d comment on your new disc “Journeyman”. He gave me an advance copy in April. I liked the disc the first time I...
An international review for Ralph Bowen “Total Eclipse”…
saxsoundsmagazine.com Come from the distant mountains Canada, like most level players, he also got into this at an early age. At just 13 years already had his quartet in Toronto. As a...
Step Tempest reviews Orrin Evans “Flip the Script”…
steptempest.blogspot.com Pianist-composer Orrin Evans makes music that can be confrontational, hard-edged, and vigorous yet has a melodic side that, like Charles Mingus, allows his pieces to go in many and varied directions. ...
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