by Mike Hobart
The second track starts with an ominous opening pedal that yields to an awkwardly pulsating harmonic sequence, which Davis’s band of rising stars negotiate with ease.
Called “The Modernist”, it sets the agenda for a tightly-argued set of small-group jazz originals. Trombonist Davis was the last musician to be hired by drummer Art Blakey, and his warm dry tone, articulate arrangements and the three-horn front line sit firmly in the Messenger’s tradition.
“J Mac’s Way”, references the late alto saxophonist Jackie McLean and there is a lovely ballad, “Rose Garden”.